| PS4RK | X | m | (No name, age unknown, teacher, no further information given) unspecified |
| PS4RL | X | f | (Alison, age unknown, student) unspecified |
| PS4RM | X | f | (No name, age unknown, student) unspecified |
| PS4RN | X | f | (Francesca, age unknown, student) unspecified |
| PS4RP | X | m | (Richard, age unknown, student) unspecified |
| PS4RS | X | f | (Margaret, age unknown, student) unspecified |
| JSVPSUNK (respondent W0000) | X | u | (Unknown speaker, age unknown) other |
| JSVPSUGP (respondent W000M) | X | u | (Group of unknown speakers, age unknown) other |
| Unknown speaker (JSVPSUNK) |
[1] cos he's coming down |
| Unknown speaker (JSVPSUNK) |
[2] Are you doing it as well. |
| Unknown speaker (JSVPSUNK) |
[3] Yeah |
| Unknown speaker (JSVPSUNK) |
[4] [...] . |
| (PS4RK) |
[5] You other people and you've obviously got time to start preparing your thoughts. |
| Unknown speaker (JSVPSUNK) |
[6] Yes. |
| (PS4RK) |
[7] Alright. |
| Unknown speaker (JSVPSUNK) |
[8] [...] take [...] . |
| (PS4RK) |
[9] Well know it's it's there all the time. [10] We were just carrying on. |
| Unknown speaker (JSVPSUNK) |
[11] [...] . |
| Unknown speaker (JSVPSUNK) |
[12] [...] . |
| (PS4RK) |
[13] Right [...] . |
| Unknown speaker (JSVPSUNK) |
[14] [...] . |
| (PS4RK) |
[15] So what I did with you last week [...] |
| Unknown speaker (JSVPSUNK) | [...] |
| Unknown speaker (JSVPSUNK) |
[16] I said erm but [...] It is a good start really, [...] someone else [...] . |
| Unknown speaker (JSVPSUNK) |
[17] [...] . |
| Unknown speaker (JSVPSUNK) |
[18] Sh. |
| (PS4RK) |
[19] Can you say that again? |
| Alison (PS4RL) |
[20] [...] Tony he pretends to be someone else in [...] this [...] and er more [...] . |
| (PS4RK) |
[21] [...] alright . |
| Alison (PS4RL) |
[22] Yeah. [...] . |
| (PS4RK) |
[23] Alright. |
| Alison (PS4RL) |
[24] More [...] Solomon [...] . |
| (PS4RK) |
[25] Solomons. |
| Alison (PS4RL) |
[26] Solomons yeah. [...] . |
| (PS4RK) |
[27] Is that [...] chap as well. |
| Alison (PS4RL) |
[28] [...] . |
| Unknown speaker (JSVPSUNK) |
[29] [...] . |
| (PS4RK) |
[30] And and what is the point of disguising [...] disguise? |
| Alison (PS4RL) |
[31] Well it means just taking apart. |
| (PS4RK) |
[32] [...] in terms of any length, what's it doing to the plot for a start. ... |
| Alison (PS4RL) |
[33] Well when Tony pretends it sort of gets the ball rolling. |
| (PS4RK) |
[34] So it's a kind of plot |
| Alison (PS4RL) |
[35] Yeah. |
| (PS4RK) |
[36] [...] . [37] You've got [...] haven't you? |
| Alison (PS4RL) |
[38] Yeah. ... |
| (PS4RK) |
[39] [...] . |
| Alison (PS4RL) |
[40] [...] . [41] erm why Marlowe and he thinks that the family and servants |
| (PS4RK) |
[42] So [...] . |
| Alison (PS4RL) |
[43] Yes [...] . |
| (PS4RK) |
[44] [...] . [45] Not making [...] really. [46] I suppose it's the set up [...] . [47] O K that's fairly basic stuff [...] you've got people [...] . |
| Alison (PS4RL) |
[48] Relationships. |
| (PS4RK) |
[49] You've got relationships, yes. [50] Alison [...] say about previous ideas, what's that. [51] You're quite sure. |
| Alison (PS4RL) |
[52] You've got unknown disguises |
| (PS4RK) |
[53] How do you mean unknown disguises? |
| Alison (PS4RL) |
[54] Well Marlowe doesn't know who Mister Hardcastle is and doesn't know who Miss Hardcastle is [...] |
| (PS4RK) |
[55] Right. [56] So he is the victim? |
| Alison (PS4RL) |
[57] Yeah. |
| (PS4RK) |
[58] Is he? |
| Alison (PS4RL) |
[59] He's unaware of everything that's going on. |
| (PS4RK) |
[60] [...] is that right, what's Marlowe's role in all of this |
| Unknown speaker (JSVPSUNK) |
[61] [cough] . |
| (PS4RM) |
[62] Well it's just like that the joke kinda on him because he's erm, he's the one they're all concealing the identity of the house |
| (PS4RK) |
[63] Even his best friend? |
| (PS4RM) |
[64] Yeah and erm yeah, he's [...] keep up the joke. |
| (PS4RK) |
[65] Right. |
| (PS4RM) |
[66] They don't want it to interfere with their plans |
| (PS4RK) |
[67] Erm does this question diary [...] it all? [...] he look like . |
| (PS4RM) |
[68] Because erm [cough] it's all the plot can be seen by the audience. [69] It's not exactly what's gonna happen in the plot we all know what happens it's like how it will happen |
| (PS4RK) |
[70] romantic outcome or what |
| (PS4RM) |
[71] Erm well we all know what's going to happen and they sort of give an idea of the plot but it's only Marlowe who doesn't know. [72] so we know more than the characters do |
| (PS4RK) |
[73] Yes, or that character does |
| (PS4RM) |
[74] Yeah. |
| (PS4RK) |
[75] So we're all in kind of conspiracy and everyone else except Marlowe is that right? |
| (PS4RM) |
[76] Yes. |
| (PS4RK) |
[77] Marlowe perhaps figures in other ways as well doesn't he? ... |
| Unknown speaker (JSVPSUNK) |
[78] [...] . |
| Unknown speaker (JSVPSUNK) |
[79] [...] . |
| (PS4RM) |
[80] I er it's just that we, all of us are on different pages. |
| (PS4RK) |
[81] [...] . |
| (PS4RM) |
[82] Oh yeah. |
| Unknown speaker (JSVPSUNK) |
[83] [...] . |
| (PS4RM) |
[84] It's more emotional [...] . [85] It's not really erm intentional this guy [...] . |
| (PS4RK) |
[86] Yes she puts it on. |
| (PS4RM) |
[87] Well it's sort of |
| (PS4RK) |
[88] [...] . |
| (PS4RM) |
[89] she finds it [...] easier to talk to [...] come out with it. [...] . |
| (PS4RK) |
[90] Yes. [91] It's not deliberate though is it? |
| (PS4RM) |
[92] No, it's just that erm he feels comfortable and doesn't have to put on a show |
| (PS4RK) |
[93] O K. |
| (PS4RM) |
[94] more erm abrupt more familiar side of him coming out [cough] |
| (PS4RK) |
[95] Isn't that a little bit pathetic? |
| (PS4RM) |
[96] Yeah. |
| (PS4RK) |
[97] He can only be himself with a female inferior. |
| Unknown speaker (JSVPSUNK) |
[98] [cough] . |
| (PS4RM) |
[99] No we ought to [...] . |
| (PS4RK) | |
| Unknown speaker (JSVPSUNK) |
[100] [laugh] . |
| (PS4RK) |
[101] No like that's not it to go with their mates [...] . |
| (PS4RK) |
[102] I suppose that's true. [103] There's all [...] being themselves. [104] You just said that Englishmen prefer being with other men. |
| Unknown speaker (JSVPSUNK) |
[105] [laugh] . |
| Unknown speaker (JSVPSUNK) |
[106] I suppose it can be the same I think it's just a bit more extreme like the characteristic he shows when he's in female company like erm just like going over the top the way he acts |
| Unknown speaker (JSVPSUNK) |
[107] [cough] . |
| (PS4RK) |
[108] So there isn't any truth [...] all of this |
| Unknown speaker (JSVPSUNK) |
[109] Yeah. |
| (PS4RK) |
[110] O K so if any of you could make [...] because it's one more interesting psychological ploys in the play, there aren't very many of them are there? [...] comedy I suppose I'll play [...] behaviour. [111] Willis [...] erm [...] something to that class [...] isn't it and and what you have classed as having more mileage [...] . [112] Francesca what do you think? |
| Francesca (PS4RN) |
[113] No [...] . |
| (PS4RK) |
[114] Whatever [...] . [115] Lots of [...] concerning [...] |
| Francesca (PS4RN) |
[116] It's really exag it's really exaggerated, they really make erm, I can make all the country folk showed as real louts most of [...] the people in the pub Tony and then the servants are really stupid and then |
| (PS4RK) |
[117] They're not real butlers they're being trained |
| Francesca (PS4RN) |
[118] Yeah, they're just like farmhands |
| (PS4RK) |
[119] Yeah [...] well I've got to be erm |
| Francesca (PS4RN) |
[120] But even like erm Mr and Mrs , like they come over as just comic figures really. [121] Because Mrs like erm sort of assumes herself to be really fashionable by the things that [...] like up with the fashions or anything and then Mr [...] self important [...] stories of the War [...] . |
| (PS4RK) |
[122] Yes. |
| Unknown speaker (JSVPSUNK) |
[123] [...] disguise [...] . |
| (PS4RK) |
[124] I was going to actually ask the same question. [125] Erm you [...] haven't you? |
| Unknown speaker (JSVPSUNK) |
[126] [...] believe in [...] . |
| (PS4RK) |
[127] Self delusion. [...] . |
| Unknown speaker (JSVPSUNK) |
[128] [...] . |
| (PS4RK) |
[129] [...] what I said [...] . |
| Unknown speaker (JSVPSUNK) |
[130] [...] . |
| (PS4RK) |
[131] What about erm, we haven't read any [...] today, have we? [132] Erm there's a coach ride. |
| Unknown speaker (JSVPSUNK) |
[133] Oh yeah and it is totally [...] . |
| Unknown speaker (JSVPSUNK) |
[134] [...] . |
| Unknown speaker (JSVPSUNK) |
[135] Yeah. |
| Unknown speaker (JSVPSUNK) |
[136] She doesn't recognise the |
| (PS4RK) |
[137] Yes. |
| Unknown speaker (JSVPSUNK) |
[138] [...] Mrs [...] . |
| (PS4RK) |
[139] This is when disbelief actually suspended [...] later. [140] ... Do you see the performance of it? |
| Unknown speaker (JSVPSUNK) |
[141] Yeah. |
| (PS4RK) |
[142] Does that get round the problem? ... |
| Unknown speaker (JSVPSUNK) |
[143] What [...] . |
| (PS4RK) |
[144] Mm. |
| Unknown speaker (JSVPSUNK) |
[145] Well I suppose it was a bit far fetched. [146] I don't like the [...] and everything [...] . [147] People were coming in and out the shadows, like telling his mum to cuddle up to [...] to go [...] everything. [148] That was a bit far fetched I suppose but erm you won't be looking at it for [...] it is believable or not [...] . |
| (PS4RK) |
[149] [...] . |
| Unknown speaker (JSVPSUNK) |
[150] It was just quite funny. |
| (PS4RK) |
[151] So it's dramatic inventions |
| Margaret (PS4RS) |
[152] Yeah [...] . |
| (PS4RK) |
[153] I think so, that feeling for [...] highwayman. [154] Erm have people coming on and off stage when they want [...] sides. [155] [...] I think. [156] What you've got to do then is to relate erm, this particular topic to, shall we say themes, and techniques in the play itself. [157] ... and also this happened in Shakespeare's plays too. [158] Erm what it reveals of people psychologically, if anything. [159] It is not a very profound play ... Francesca, anything else you wanted to throw in that we've not included here? |
| Francesca (PS4RN) |
[160] Erm [...] |
| (PS4RK) |
[161] [...] that's not all. |
| Francesca (PS4RN) |
[162] could you do the servants [...] . |
| (PS4RK) |
[163] You mean the serving men |
| Francesca (PS4RN) |
[164] Yeah. [165] They were sort of weren't they. |
| (PS4RK) |
[166] In what [...] |
| Unknown speaker (JSVPSUNK) |
[167] [cough] . |
| (PS4RK) |
[168] [...] . |
| Francesca (PS4RN) |
[169] No they've sort of working on the farm |
| (PS4RK) |
[170] They're just labourers. |
| Francesca (PS4RN) |
[171] Yeah. |
| (PS4RK) |
[172] Erm because in fact quite funny seeing they're all being [...] er to laugh [...] erm see what [...] servants in. [173] That links up as farce again, doesn't it? |
| Francesca (PS4RN) |
[174] Mm. |
| (PS4RK) |
[175] [...] and dramatic erm action |
| Francesca (PS4RN) |
[176] And erm what Mrs [...] and what it actually [...] . |
| Unknown speaker (JSVPSUNK) |
[177] Yeah I see [...] . |
| (PS4RK) |
[178] Kate Hardcastle and Tony. |
| Unknown speaker (JSVPSUNK) |
[179] No Mrs . |
| (PS4RK) |
[180] Oh right. |
| Francesca (PS4RN) |
[181] But I don't [...] disguise. |
| (PS4RK) |
[182] What about the two pairs of children. [183] What about Mr and Kate? |
| Francesca (PS4RN) |
[184] She seems fairly true to [...] her father sees this through her [...] . |
| (PS4RK) |
[185] Perfection. |
| Francesca (PS4RN) |
[186] Yeah, but she's more settled in. [187] No, yeah [laugh] . |
| (PS4RK) |
[188] Well sh |
| Francesca (PS4RN) |
[189] She's not really better is she? |
| (PS4RK) |
[190] Yeah well she does actually erm say to everyone in a rather creepy way that [...] require [...] do doesn't she? [191] Help him to quote |
| Francesca (PS4RN) |
[192] [...] it's more obvious to the audience how, like, Tony's just after what he can get sort of thing. |
| (PS4RK) |
[193] Complete write off. |
| Francesca (PS4RN) |
[194] Yeah. |
| (PS4RK) |
[195] [...] parents with their siblings that [...] |
| Unknown speaker (JSVPSUNK) |
[196] How will that be described though? |
| Francesca (PS4RN) |
[197] Yeah. |
| (PS4RK) |
[198] Well he's [...] that [...] . |
| Unknown speaker (JSVPSUNK) | [laugh] |
| Francesca (PS4RN) |
[199] Yeah but ... it's what she's perceiving really isn't it? |
| Unknown speaker (JSVPSUNK) |
[200] Yeah. |
| Francesca (PS4RN) |
[201] What she's deluding herself to think |
| (PS4RK) |
[202] Didn't he help with that illusion? |
| Francesca (PS4RN) |
[203] Not really. |
| Unknown speaker (JSVPSUNK) |
[204] I don't think he really tries to hide the fact that he's like |
| (PS4RK) |
[205] that he steals her money. |
| Francesca (PS4RN) |
[206] Yeah |
| (PS4RK) |
[207] to go down to the pub |
| Francesca (PS4RN) |
[208] Yeah he doesn't really try to impress her he makes things worse I think |
| (PS4RK) |
[209] O K so she's a doting mother, is that right? [...] what [...] want. [210] ... Erm I still want to bring Kate and her father as well I think cos he's looking at [...] some people, isn't he? [211] Know what I mean? |
| Unknown speaker (JSVPSUNK) |
[212] Mm. |
| Unknown speaker (JSVPSUNK) |
[213] That should be [...] . |
| (PS4RK) |
[214] [...] agree. [215] Well it's your essay not mine but |
| Unknown speaker (JSVPSUNK) |
[216] [laugh] . |
| Francesca (PS4RN) |
[217] [...] . |
| (PS4RK) |
[218] Erm what about when Mrs Hardcastle doesn't want to give up the jewels. |
| Unknown speaker (JSVPSUNK) |
[219] Yes [...] he's rude [...] . |
| (PS4RK) |
[220] She conceals Tony's age cos he's really twenty one |
| Unknown speaker (JSVPSUNK) |
[221] [...] . [222] Just those [...] keep like the jewels in their family [...] . |
| (PS4RK) |
[223] [...] . [224] That would do nicely, wouldn't it? [225] Erm, she also lies about er |
| Unknown speaker (JSVPSUNK) |
[226] [...] thing lost. |
| (PS4RK) |
[227] [...] in the windows discarded. [...] . |
| Unknown speaker (JSVPSUNK) |
[228] Mm. ... |
| (PS4RK) |
[229] That was seen [...] . [...] . ... |
| Unknown speaker (JSVPSUNK) |
[230] Only about Miss and Hastings. |
| Unknown speaker (JSVPSUNK) |
[231] Yeah. |
| Unknown speaker (JSVPSUNK) |
[232] Have you read, have you looked in that? |
| Unknown speaker (JSVPSUNK) |
[233] [...] . |
| (PS4RK) |
[234] [...] mention that [...] . |
| Unknown speaker (JSVPSUNK) |
[235] Well I think [...] not so much [...] about [...] when Hastings was there. [236] Miss and Tony you have to kinda pretend that they do like each other so that erm the mother doesn't suspect her of liking Hastings. |
| Unknown speaker (JSVPSUNK) |
[237] Mm. |
| (PS4RK) |
[238] So that's more, shall we say, purposeful, disguising her feelings. [239] [...] more cunning stuff going on here as well. [240] Is that right? |
| Unknown speaker (JSVPSUNK) |
[241] Mm. [242] yeah. |
| (PS4RK) |
[243] Would you say much more farcical [...] |
| Unknown speaker (JSVPSUNK) |
[244] Yeah. |
| (PS4RK) |
[245] theatrical. |
| Francesca (PS4RN) |
[246] Yeah and Hastings and the [...] . |
| (PS4RK) |
[247] Yes and those two are the least kind of losing [...] . |
| Unknown speaker (JSVPSUNK) |
[248] Mm. ... |
| (PS4RK) |
[249] This is the essay you are actually going to write. |
| Unknown speaker (JSVPSUNK) |
[250] Yeah. [...] . |
| (PS4RK) |
[251] maybe |
| Unknown speaker (JSVPSUNK) |
[252] maybe not sure but you're not certain |
| (PS4RK) |
[253] No, well we've done a little bit. [254] There's obviously not very much here but I mean |
| Unknown speaker (JSVPSUNK) |
[255] Would you [...] themes [...] ? |
| (PS4RK) |
[256] Would I write? |
| Unknown speaker (JSVPSUNK) |
[257] [...] take [...] take [...] emotional [...] and discuss it [...] . |
| (PS4RK) |
[258] Alright so you are going to judge the characters of the |
| Unknown speaker (JSVPSUNK) |
[259] [...] . |
| (PS4RK) |
[260] I wouldn't think I'd discuss it under functions really ... |
| Unknown speaker (JSVPSUNK) |
[261] [cough] . |
| (PS4RK) |
[262] See perhaps I'd like to [...] more section [...] to. [263] What the disguise is doing. [264] Whether it's just a plot |
| Unknown speaker (JSVPSUNK) |
[265] Mm. |
| (PS4RK) |
[266] erm device or whether it's telling us something about human beings. ... |
| Unknown speaker (JSVPSUNK) |
[267] [cough] . |
| (PS4RK) |
[268] It would be up to you really ... to [...] common purposes. [269] ... Well that's a start isn't it? [270] Shall we move that one round? [...] girls [...] please. [271] Round yourselves up. [...] . |
| (PS4RK) | [...] |
| Unknown speaker (JSVPSUNK) |
[272] [cough] . |
| (PS4RK) |
[273] [...] . |
| Unknown speaker (JSVPSUNK) |
[274] [...] . |
| (PS4RK) |
[275] What's the actual title |
| Unknown speaker (JSVPSUNK) |
[276] She stoops to conquer and discuss the ways in which women are portrayed in the play. |
| (PS4RK) |
[277] Portrayed [...] . |
| Unknown speaker (JSVPSUNK) |
[278] [...] . |
| (PS4RK) |
[279] O K then. ... |
| Unknown speaker (JSVPSUNK) |
[280] [...] to Miss came [...] . |
| (PS4RK) |
[281] So Miss pays with compliments. [282] That's clear Miss is [...] . |
| Unknown speaker (JSVPSUNK) |
[283] [...] . |
| (PS4RK) |
[284] Oh I'm sorry. [285] ... Er |
| Unknown speaker (JSVPSUNK) |
[286] [...] anyway [...] [laugh] . |
| (PS4RK) |
[287] [...] . ... |
| Unknown speaker (JSVPSUNK) |
[288] But you could mention these [...] er women that Mrs talks about [...] . |
| (PS4RK) |
[289] [...] Mrs and all these other kind of er interesting offstage characters. [290] Erm when there's people [...] every minute he goes, is that makes out. |
| Unknown speaker (JSVPSUNK) |
[291] No. |
| Unknown speaker (JSVPSUNK) |
[292] Mrs mentions that when she's talking about sophisticated London |
| (PS4RK) |
[293] Her friends. |
| Unknown speaker (JSVPSUNK) |
[294] They visit London but she doesn't |
| (PS4RK) |
[295] Alright fine you might if you're desperate mention that [...] . |
| Richard (PS4RP) |
[296] You could say that erm Mrs likes it with [...] the local [...] . [297] You know [...] in love with him. |
| (PS4RK) |
[298] Yes and at the end of the play as well. |
| Richard (PS4RP) |
[299] Yeah. |
| (PS4RK) |
[300] Erm what you have to avoid is just divide into three? [301] Do you agree with that would be rather dull she did that. [302] It would be rather dull. |
| Richard (PS4RP) |
[303] [...] . |
| Unknown speaker (JSVPSUNK) |
[304] [laughing] [...] plans [] . |
| (PS4RK) |
[305] Oh well if you really want to you can. [306] It you just look very very well [...] |
| Unknown speaker (JSVPSUNK) |
[307] [...] . |
| Richard (PS4RP) |
[308] [...] trip and if you're not going to divide it into three. |
| (PS4RK) |
[309] Well as Dennis was implying, erm you're really looking say at the low comedy. [310] [...] Mrs came to [...] . |
| Unknown speaker (JSVPSUNK) |
[311] put into themes |
| (PS4RK) |
[312] Well that will seem to me to be a bit more [...] but obviously it's up to you but it may not quite work out as neatly as [...] erm [...] but you may well like to think about the role of women as perceived, the way they treat men and relationships. [313] So you could do more under that heading couldn't you? |
| Unknown speaker (JSVPSUNK) |
[314] portrayal of women |
| (PS4RK) |
[315] Yes but like the are just planning to [...] affection [...] based on mutual whatever it is |
| Unknown speaker (JSVPSUNK) |
[316] [...] they base [...] Mrs as the villain of the peace. |
| (PS4RK) | [...] |
| Unknown speaker (JSVPSUNK) |
[317] Yeah I thought that [...] about it |
| Unknown speaker (JSVPSUNK) |
[318] [...] . |
| Unknown speaker (JSVPSUNK) |
[319] she just seemed kind of old fashioned. |
| Unknown speaker (JSVPSUNK) |
[320] [...] to say that erm [...] erm [...] they are saying that erm she's most funny and things like that and she's got great depth. |
| Unknown speaker (JSVPSUNK) |
[321] great depth |
| (PS4RK) |
[322] So th the [...] comes on a bit heavy at times doesn't it? |
| Unknown speaker (JSVPSUNK) |
[323] Yeah. |
| (PS4RK) |
[324] And makes a great meal of that material. [325] She's a villain of the peace. [326] Well I think you need to go look at [...] that. |
| Unknown speaker (JSVPSUNK) |
[327] [...] . |
| (PS4RK) |
[328] Erm er we'll look it up sometime [...] erm [...] affection with Tony. |
| Unknown speaker (JSVPSUNK) |
[329] Yeah, [...] ?. |
| (PS4RK) |
[330] which makes her a villain |
| Unknown speaker (JSVPSUNK) |
[331] no makes her not as bad |
| (PS4RK) |
[332] oh |
| Unknown speaker (JSVPSUNK) |
[333] First of all they said she was the villain. [334] Then they went on to say why she [...] . |
| (PS4RK) |
[335] She keeps repeating [...] . |
| Unknown speaker (JSVPSUNK) |
[336] [...] . |
| Unknown speaker (JSVPSUNK) |
[337] Well because she wants the jewels that's why she's she's sort of like er |
| Unknown speaker (JSVPSUNK) |
[338] [...] . |
| Unknown speaker (JSVPSUNK) |
[339] She's only interest [...] . |
| (PS4RK) |
[340] She she's obscuring the truth a bit isn't she? |
| Unknown speaker (JSVPSUNK) |
[341] [...] totally within [...] . |
| (PS4RK) |
[342] and that's the name. |
| Unknown speaker (JSVPSUNK) |
[343] [laugh] . |
| Unknown speaker (JSVPSUNK) |
[344] [...] . |
| Unknown speaker (JSVPSUNK) |
[345] and her [...] as well. |
| (PS4RK) |
[346] [...] . |
| Unknown speaker (JSVPSUNK) |
[347] [...] she's famous |
| Unknown speaker (JSVPSUNK) |
[348] [...] . |
| (PS4RK) |
[349] Oh I see, yes and she wants to go to make out that she's er [...] whatever age she is. |
| Unknown speaker (JSVPSUNK) |
[350] Yeah, yeah. |
| Unknown speaker (JSVPSUNK) |
[351] and she wants to get Tony and Constance together |
| Unknown speaker (JSVPSUNK) |
[352] [...] . |
| Unknown speaker (JSVPSUNK) |
[353] [...] really [...] really that good . |
| (PS4RK) |
[354] Makes her. [355] Yes she's [...] isn't she? |
| Unknown speaker (JSVPSUNK) |
[356] [...] . |
| Unknown speaker (JSVPSUNK) |
[357] [...] she comes out of the bush and says [...] she wants a highwayman to take her. |
| (PS4RK) |
[358] Isn't that rather heroic? |
| Unknown speaker (JSVPSUNK) |
[359] Yeah. |
| Unknown speaker (JSVPSUNK) |
[360] That's it [...] in there [...] . |
| Unknown speaker (JSVPSUNK) |
[361] There's like two sides to it. |
| (PS4RK) |
[362] I think you're all being a bit heavy with all of this [...] as treating her like a George Eliot heroine. [363] Erm [...] she's obviously got quite a lot of material for anybody to look at. [364] Erm, what about the fact that she does want to er keep her looks and be fashionable then doesn't she? [365] The girls to say [...] about women in particular. ... |
| Unknown speaker (JSVPSUNK) |
[366] Doesn't that sort of bring in [...] to the country and [...] she's out in the country and she wants to show it to them that she she's sort of she's still fashionable [...] . |
| (PS4RK) |
[367] Yeah, she's a [...] . [368] [...] . Erm [...] suggest that [...] appear fashionable. ... |
| (PS4RK) |
[369] You'll find the equivalent [...] as well. |
| Unknown speaker (JSVPSUNK) |
[370] I thought [...] just [...] we can see that she's quite an extremist just [...] . |
| Unknown speaker (JSVPSUNK) |
[371] [laugh] . |
| (PS4RK) |
[372] You want to discuss caricature don't you |
| Unknown speaker (JSVPSUNK) |
[373] Well I don't think it's just the real [...] in fashion [...] what they're gonna wear [...] it's only really Mr that is not interested in it |
| (PS4RK) |
[374] This person that's kind of bows and his bald head pops out of his wig or something. |
| Unknown speaker (JSVPSUNK) |
[375] Yeah. |
| (PS4RK) |
[376] Alright |
| Unknown speaker (JSVPSUNK) |
[377] [...] . |
| (PS4RK) |
[378] Erm. |
| Unknown speaker (JSVPSUNK) |
[379] [...] Mr [...] Mrs [...] different roles to Mr Hardcastle |
| (PS4RK) |
[380] Different role |
| Unknown speaker (JSVPSUNK) |
[381] roles [...] like Mrs is interested in fashion [...] he's not and then [...] to say [...] to wear her housecoats and then erm [...] her [...] different to what [...] |
| (PS4RK) |
[382] Yeah she only wants [...] |
| Unknown speaker (JSVPSUNK) |
[383] Erm [...] the subjects now then [...] to Mr |
| Unknown speaker (JSVPSUNK) | [...] |
| Unknown speaker (JSVPSUNK) |
[384] I think so. |
| Unknown speaker (JSVPSUNK) |
[385] [...] different values [...] . |
| (PS4RK) |
[386] [...] . [387] Erm different values. [388] O K. It seems to me that [...] and just [...] looking at human nature [...] something [...] is that right? [389] And holding them up for a little bit of erm laughter. [390] So Mrs so far has been hogging the whole show, is that right? |
| Unknown speaker (JSVPSUNK) |
[391] [...] he's [...] like Mrs [...] cos they've got power really over the men |
| (PS4RK) |
[392] the men |
| Unknown speaker (JSVPSUNK) |
[393] Yeah |
| Unknown speaker (JSVPSUNK) |
[394] Have they [...] when says that he's willing to pay for erm Mrs [...] disguises the maid, he says he's willing to pay for her services. |
| (PS4RK) |
[395] Yes. [396] What's the point you're making there |
| Unknown speaker (JSVPSUNK) |
[397] Like showing their view, really [...] . |
| Unknown speaker (JSVPSUNK) |
[398] He's degrading himself really because he needs to find out that she was [...] |
| Unknown speaker (JSVPSUNK) |
[399] [...] . |
| Unknown speaker (JSVPSUNK) |
[400] yes, she's really Mrs . [401] She's the same person but he treats her |
| (PS4RK) |
[402] Yes |
| Unknown speaker (JSVPSUNK) |
[403] degrading him. |
| (PS4RK) |
[404] I think so and that's a fairly I mean it's not gonna be heavy moral point here is it but while it shows up [...] you can treat a woman as an object in this way ... don't you think? |
| Unknown speaker (JSVPSUNK) |
[405] will we be able to bring that into the essay |
| (PS4RK) |
[406] Well if you want to [...] a woman as a sexual object [...] . |
| Unknown speaker (JSVPSUNK) |
[407] [...] this letter from [...] erm that [...] it kind of shows up [...] . |
| (PS4RK) |
[408] [...] . |
| Unknown speaker (JSVPSUNK) |
[409] Well because [...] I [...] she's the conqueror kind of [...] |
| (PS4RK) |
[410] Yes |
| Unknown speaker (JSVPSUNK) |
[411] [...] . |
| (PS4RK) |
[412] she's the butt of the jokes . |
| Unknown speaker (JSVPSUNK) |
[413] Yeah and and if [...] and I also [...] what I was going to say how she she kind of is able to control erm or bring out [...] because she's [...] bring out both his sides but erm to her father wants to [...] sort of get rid of him, she's able to erm [...] just erm act more charming and get them, you know, one line to prove them wrong. |
| Unknown speaker (JSVPSUNK) |
[414] [...] both sides of his character. [415] She's [...] his person, she [...] both. [416] She's not really, I don't think she's stupid cos she 's she decides to do it because she's [...] again. |
| (PS4RK) |
[417] So she's manipulating. |
| Unknown speaker (JSVPSUNK) |
[418] Yeah she's in control of the whole situation |
| (PS4RK) |
[419] [...] . [420] She's power. [421] [...] with her father as well. |
| Unknown speaker (JSVPSUNK) |
[422] Yeah. |
| (PS4RK) |
[423] I see O K that all sounds fine what about their comic roles. [424] Have you discussed this I suppose we have. [425] This kind of comic role. [426] ... I mean putting on [...] . |
| Unknown speaker (JSVPSUNK) |
[427] [...] . |
| (PS4RK) |
[428] Yes, erm, Richard what about Constance? |
| Richard (PS4RP) |
[429] Well she's like, really she's just like a friend of Kate Hardcastle cos ... |
| (PS4RK) |
[430] she's a woman. |
| Richard (PS4RP) |
[431] Yeah. |
| Unknown speaker (JSVPSUNK) |
[432] She hasn't got any comedy in her, she's quite serious ... it's the home [...] her say in the prologue [...] different mentality. |
| (PS4RK) |
[433] Yes. |
| Unknown speaker (JSVPSUNK) |
[434] Her and Hastings. ... |
| (PS4RK) |
[435] Yes. |
| Unknown speaker (JSVPSUNK) |
[436] Her virtue is not virtue if she tumbles [...] |
| (PS4RK) |
[437] You're saying that erm Constance is the voice of what, high morals or really she 's |
| Unknown speaker (JSVPSUNK) |
[438] Not really because she wants, doesn't want to elope with him, she wants her jewels. |
| (PS4RK) |
[439] So she's quite scheming and erm, would you say money grabbing character? |
| Unknown speaker (JSVPSUNK) |
[440] Erm [...] [...] . |
| (PS4RK) |
[441] They aren't her jewels after all . |
| Unknown speaker (JSVPSUNK) |
[442] Just shows you what her priorities are really [laugh] rather than handsome man she'd rather have her jewels. |
| (PS4RK) |
[443] Well have the jewels as well as a handsome man. |
| Unknown speaker (JSVPSUNK) |
[444] Yes [laugh] . |
| (PS4RK) |
[445] [laugh] . [446] [...] that's a nice little comment on human nature, isn't it?. |
| Unknown speaker (JSVPSUNK) |
[447] But she's she's she doesn't want it she didn't want the jewels did she but when she nearly had them. |
| (PS4RK) | [...] |
| Unknown speaker (JSVPSUNK) |
[448] Yeah . |
| (PS4RK) |
[449] Erm so if they [...] this kind of erm poking fun at previous [...] acquired affection. [450] Erm discussing why Alexander is, I think he has to be a bit harsh or satirical as erm. [451] Erm [...] Constance [...] that she she's simply a sentimental heroine. |
| Unknown speaker (JSVPSUNK) |
[452] I think she's quite powerful as well. |
| (PS4RK) |
[453] Do you? |
| Unknown speaker (JSVPSUNK) |
[454] Because erm in her her differences in her erm behaviour towards Hastings towards Tony, like she's she chases him off the stage [...] one point [...] Tony and then she [...] sort of turn round and be all charming sort of [...] . |
| (PS4RK) |
[455] [...] . |
| Unknown speaker (JSVPSUNK) |
[456] Yeah, towards Hastings and that shows [...] they give their two descriptions of her and Tony's [...] Hastings [...] they find have beautiful and they find her modest. [457] That is what shows the two sides to her character. |
| (PS4RK) |
[458] [...] two different men as well. |
| Unknown speaker (JSVPSUNK) |
[459] [...] . |
| (PS4RK) |
[460] That's quite a nice point then isn't it? [461] She seems quite a complicated player in some ways |
| Unknown speaker (JSVPSUNK) |
[462] mm |
| (PS4RK) |
[463] There's quite a lot to talk about isn't there? |
| Unknown speaker (JSVPSUNK) |
[464] We are still not sure how it's erm [...] structural [...] . |
| (PS4RK) |
[465] How to organise it. [466] Yes we turn to you. |
| Unknown speaker (JSVPSUNK) |
[467] [...] talk about [...] talk about comedy and all that [...] . |
| (PS4RK) |
[468] Different levels of comedy is where they actually break it up a bit which erm |
| Richard (PS4RP) |
[469] Yeah. |
| (PS4RK) |
[470] comedy [...] the comedy of the situation [...] language certain elements of wit or [...] talking about the farmhouse language, farmyard. |
| Richard (PS4RP) |
[471] Then you talk about erm how how the characters [...] that Constance and Kate have different sides [...] and then you can sort of. |
| (PS4RK) |
[472] because they are both the same age aren't they? they're both you know, young women aren't they of marriageable age and have rather different functions. |
| Unknown speaker (JSVPSUNK) |
[473] [...] sort of, sort of [...] material. [474] Just a bit the men and what [...] shown through them. |
| (PS4RK) |
[475] Yes do we have much idea of men's perception of women in the play. |
| Unknown speaker (JSVPSUNK) |
[476] Yes. |
| (PS4RK) |
[477] Very strong. |
| Unknown speaker (JSVPSUNK) |
[478] [...] and erm |
| (PS4RK) |
[479] So what is Tony's perception of women? |
| Unknown speaker (JSVPSUNK) |
[480] Don't know [...] . |
| Unknown speaker (JSVPSUNK) |
[481] [laugh] . |
| (PS4RK) |
[482] [...] set about [...] it's an idea or |
| Unknown speaker (JSVPSUNK) |
[483] [laugh] . |
| (PS4RK) |
[484] women [laugh] . [485] O K that's quite good. [486] They get so in other words men |
| Unknown speaker (JSVPSUNK) |
[487] [cough] . |
| (PS4RK) |
[488] have quite a rough deal [...] on [...] . [489] It shows [...] doesn't it? ... [...] you may want to discuss her too |
| Unknown speaker (JSVPSUNK) |
[490] Yes. |
| (PS4RK) |
[491] as a role model ... Er and what about the er marital relation of the Hardcastles would you want to comment on them? |
| Richard (PS4RP) |
[492] Well we never really see much of them together except [...] |
| (PS4RK) |
[493] Erm |
| Richard (PS4RP) |
[494] and then again at the end. [495] They all come [...] . |
| (PS4RK) |
[496] [...] . |
| Unknown speaker (JSVPSUNK) |
[497] I suppose he's got a bit of power [...] her at the end because he makes her give the jewels back [...] . |
| (PS4RK) |
[498] But it's a happy marriage, isn't it? and doesn't this fit in under the idea of sentimentality again. |
| Unknown speaker (JSVPSUNK) |
[499] [...] fit in with the portrayal [...] because |
| (PS4RK) |
[500] Erm well insofar as he's fond of his wife ... and what their marriage is based on ... she's half the marriage isn't she [...] despite [...] . |
| Unknown speaker (JSVPSUNK) |
[501] [...] . |
| (PS4RK) |
[502] You've got to make it [...] the beginning and the end see what comes up [...] looked it up or anything, thought erm ... he's showing her what the younger generation, you know, are erm treating each other isn't he in a romantic way erm there's not much romantic practice in the older generation is there, a bit more affection based on intimate knowledge of each other that sort of thing. |
| (PS4RK) |
[503] I know [...] very happy with them. |
| Unknown speaker (JSVPSUNK) |
[504] [...] first reject it reject it. |
| Unknown speaker (JSVPSUNK) |
[505] [cough] . |
| (PS4RK) |
[506] [...] one about [...] . |
| Unknown speaker (JSVPSUNK) |
[507] That one. |
| (PS4RK) |
[508] Change the [...] slightly. [509] [...] conquer erm she stoops to conquer and that implies, doesn't it that women win through devious means |
| Unknown speaker (JSVPSUNK) |
[510] I [...] putting in like [...] herself. |
| (PS4RK) |
[511] Seemingly so. |
| Unknown speaker (JSVPSUNK) |
[512] I don't think she did because she made a choice to be next to, she wanted to find out [...] . |
| (PS4RK) |
[513] So she |
| Unknown speaker (JSVPSUNK) |
[514] She did it by herself more than anything. |
| (PS4RK) |
[515] [...] he's the one being humiliated not her |
| Unknown speaker (JSVPSUNK) |
[516] Yeah. |
| (PS4RK) |
[517] not her. [518] ... [...] ... Erm it says in the [...] episode anyway [...] disguise of Kate Hardcastle [...] . [519] ... would you like to add anything or shall we stop there? |
| Unknown speaker (JSVPSUNK) |
[520] [...] . |
| (PS4RK) |
[521] Are you all actually all doing this essay, are you? |
| Unknown speaker (JSVPSUNK) |
[522] Yeah. |
| (PS4RK) |
[523] I think it's quite interesting. ... |
| Alison (PS4RL) |
[524] [...] I was gonna say about she stoops to conquer [...] she's also doing what's best because sh she [...] like, knows what she wants and [...] like that, erm and she's trying to stop her father from getting him chucked out and stuff as well. |
| (PS4RK) |
[525] Yes. [526] She kept saying |
| Alison (PS4RL) |
[527] So sort of she's yeah, she's sort of sensible and she's tactful as well, she's being tactful by |
| (PS4RK) |
[528] diplomatic rather than strident and wanting her own way and doing it in a very obvious way. [529] I suppose you're right, |
| Unknown speaker (JSVPSUNK) |
[530] she sort of er avoiding a lot of erm friction |
| (PS4RK) |
[531] [...] we're going to do this anyway is a [...] way through indirectly rather than confrontational which might be a male aggressive sort of [...] behaviour. |
| Unknown speaker (JSVPSUNK) |
[532] [...] work out the things she does [...] if she didn't like [...] quite funny. |
| (PS4RK) |
[533] [...] she was going to win either way. |
| Unknown speaker (JSVPSUNK) |
[534] She [...] at the end as well by mentioning what he said to her as a maid. |
| (PS4RK) |
[535] [...] she again sort of chased [...] through to [...] had a rerun of the thing and the truth was revealed. [536] Fine, well I am sure it would make quite a good essay. [537] I am quite in agreement with that. [538] Could we leave that one there and [...] . [539] Does anyone else want to er come and have a chat, how about a [...] . |
| Unknown speaker (JSVPSUNK) |
[540] [...] . |
| (PS4RK) |
[541] Beg your pardon. |
| Unknown speaker (JSVPSUNK) |
[542] [...] . |
| (PS4RK) |
[543] [...] hard. [544] So [...] |
| Unknown speaker (JSVPSUNK) |
[545] [cough] . |
| Unknown speaker (JSVPSUNK) |
[546] Yeah. |
| Unknown speaker (JSVPSUNK) |
[547] [...] an actual [...] . |
| (PS4RK) |
[548] [...] . |
| Unknown speaker (JSVPSUNK) |
[549] Did you say |
| (PS4RK) |
[550] I probably made it up |
| Unknown speaker (JSVPSUNK) |
[551] Did you say she stoops to conquer [...] the play about the [...] is an [...] which I agree. |
| (PS4RK) |
[552] [...] the function of disguises and deception in [...] . |
| Unknown speaker (JSVPSUNK) |
[553] [cough] . |
| (PS4RK) |
[554] [...] that be [...] as white as [...] . |
| Unknown speaker (JSVPSUNK) |
[555] [...] . |
| (PS4RK) |
[556] [...] . |
| Unknown speaker (JSVPSUNK) |
[557] Yeah. |
| (PS4RK) |
[558] [...] money, power and sex, violence [...] . [559] Right kick us off will you |
| (PS4RM) |
[560] O K erm. |
| (PS4RK) |
[561] So what number is this? |
| (PS4RM) |
[562] Number nine. |
| (PS4RK) |
[563] Right. |
| (PS4RM) |
[564] Right erm [...] function of disguise and perception [...] class distinctions [...] the money [...] to [...] sort of how she feels [...] sort of like well bred [...] educated |
| (PS4RK) |
[565] That's nice [...] . |
| Unknown speaker (JSVPSUNK) |
[566] [...] . |
| (PS4RM) |
[567] [...] . |
| (PS4RK) |
[568] Right so [...] they are |
| (PS4RM) |
[569] Although it's [...] that are [...] . [570] Really stupid [...] they can't behave [...] |
| (PS4RK) |
[571] Right. |
| (PS4RM) |
[572] [...] meant to and that is healthy [...] stand there [...] . |
| (PS4RK) |
[573] So to get the point of this so [...] sometimes servants are the butt of humour in the play |
| Unknown speaker (JSVPSUNK) |
[574] Yeah. |
| (PS4RK) |
[575] then the when they're all parading around it's [...] to behave, he tried to hold their hands, right. [576] Erm the way that the so-called high class types treat them [...] in a way showing up the high classes as well is that right? |
| Unknown speaker (JSVPSUNK) |
[577] Yeah. |
| (PS4RK) |
[578] O K [...] . |
| (PS4RM) |
[579] [...] was the servant [...] as though. |
| (PS4RK) |
[580] Probably servants are thick, that's [...] . |
| (PS4RM) |
[581] [...] and [...] had control over Mrs with his [...] stupid maid, whereas it's sort of reversed, cos she has power over him cos she brings out [...] character . |
| Unknown speaker (JSVPSUNK) |
[582] [...] . |
| (PS4RK) |
[583] [...] is quite easy [...] it. [584] Giving her a second chance he having failed |
| (PS4RM) |
[585] Yeah, but he feels that he's the one [...] |
| (PS4RK) |
[586] [...] broadly |
| Unknown speaker (JSVPSUNK) |
[587] [laugh] . |
| (PS4RK) |
[588] I don't believe that, erm that they could bring out that statement [...] goes kind of. |
| Unknown speaker (JSVPSUNK) |
[589] [...] . |
| Unknown speaker (JSVPSUNK) |
[590] [...] . |
| (PS4RK) |
[591] That sounds quite nice. [592] Erm |
| Unknown speaker (JSVPSUNK) |
[593] [cough] . |
| (PS4RK) |
[594] So we're looking to there aren't we [...] only relate to inferior women. [595] Er is that [...] truthful do you think human nature . |
| (PS4RM) |
[596] [...] behave [...] think of them as less than [...] have to [...] doesn't it [...] |
| Unknown speaker (JSVPSUNK) |
[597] [...] . |
| (PS4RK) |
[598] People as a threat |
| Unknown speaker (JSVPSUNK) |
[599] [...] . |
| (PS4RM) |
[600] Yeah [...] . |
| (PS4RK) |
[601] No but erm socially [...] |
| Unknown speaker (JSVPSUNK) |
[602] [...] . |
| (PS4RK) |
[603] Alright that sounds very very reasonable |
| Unknown speaker (JSVPSUNK) |
[604] [...] . |
| Unknown speaker (JSVPSUNK) |
[605] [...] . |
| (PS4RM) |
[606] It was the way he was erm [...] as well [...] out of his way to impress them [...] so but they just, well you [...] might help |
| (PS4RK) |
[607] So it's a kind of competition between them |
| Unknown speaker (JSVPSUNK) |
[608] [...] . |
| Unknown speaker (JSVPSUNK) |
[609] [...] trying to show you Sir [...] trying to [...] . |
| Unknown speaker (JSVPSUNK) |
[610] [...] . |
| (PS4RK) |
[611] Right so listen, what about down [...] relating to your social position [...] other words you you gain credibility from who you as opposed to what you are |
| Unknown speaker (JSVPSUNK) |
[612] [...] . |
| Unknown speaker (JSVPSUNK) |
[613] Yeah . |
| Unknown speaker (JSVPSUNK) |
[614] [...] . |
| Unknown speaker (JSVPSUNK) |
[615] [...] amount of money you have and that sort of thing [...] . |
| Unknown speaker (JSVPSUNK) |
[616] [...] . |
| (PS4RK) |
[617] Right I think you could bring it, this out [...] sociological [...] this to you |
| Unknown speaker (JSVPSUNK) |
[618] [...] . |
| (PS4RK) |
[619] You won't actually look at the fact that there's a competition going on between the [...] erm [...] dismissing that you are actually [...] the new keeper [...] |
| Unknown speaker (JSVPSUNK) |
[620] [...] . |
| Unknown speaker (JSVPSUNK) |
[621] [...] ages to get into [...] |
| Unknown speaker (JSVPSUNK) |
[622] [...] . |
| (PS4RK) |
[623] Right so [...] |
| Unknown speaker (JSVPSUNK) |
[624] [...] . |
| (PS4RK) |
[625] If you'd like to just hang on a second I want to [...] this little [...] . |
| Unknown speaker (JSVPSUNK) | [...] |
| (PS4RK) |
[626] Erm |
| Unknown speaker (JSVPSUNK) |
[627] [...] . |
| Unknown speaker (JSVPSUNK) |
[628] [cough] . |
| Unknown speaker (JSVPSUNK) |
[629] [...] . |
| Unknown speaker (JSVPSUNK) |
[630] [...] meet Miss [...] |
| Unknown speaker (JSVPSUNK) |
[631] [...] . |
| (PS4RK) |
[632] [...] so just [...] the book on [...] she [...] putting forward and [...] that right |
| Unknown speaker (JSVPSUNK) |
[633] [...] . |
| Unknown speaker (JSVPSUNK) |
[634] Yeah |
| Unknown speaker (JSVPSUNK) | [...] |
| (PS4RK) |
[635] [...] O K erm [...] . [636] What are the jewels [...] . |
| Unknown speaker (JSVPSUNK) |
[637] [...] . |
| Unknown speaker (JSVPSUNK) |
[638] Erm, yeah [...] Mrs she sort of has the power over [...] level [...] erm [...] if she [...] she sort of, it's like she's sort of keeping her on this level in the same household as her [...] |
| Unknown speaker (JSVPSUNK) |
[639] [...] . |
| Unknown speaker (JSVPSUNK) |
[640] Yeah |
| Unknown speaker (JSVPSUNK) |
[641] [...] . |
| (PS4RK) |
[642] They're not really [...] they're really [...] . [643] She wants to keep them [...] down [...] . |
| Unknown speaker (JSVPSUNK) |
[644] [...] . |
| Unknown speaker (JSVPSUNK) |
[645] Yeah . |
| Unknown speaker (JSVPSUNK) |
[646] [...] . |
| (PS4RK) |
[647] We have [...] going on between them [...] |
| Unknown speaker (JSVPSUNK) |
[648] [...] . |
| Unknown speaker (JSVPSUNK) |
[649] [...] the house |
| Unknown speaker (JSVPSUNK) |
[650] [...] . |
| (PS4RK) |
[651] [...] tradition [...] . |
| Unknown speaker (JSVPSUNK) |
[652] [...] . |
| Unknown speaker (JSVPSUNK) |
[653] Yeah tradition yeah |
| Unknown speaker (JSVPSUNK) |
[654] [...] . |
| (PS4RK) |
[655] [...] . |
| Unknown speaker (JSVPSUNK) |
[656] [...] . |
| Unknown speaker (JSVPSUNK) |
[657] [...] traditional sort of [...] concentrates on [...] . |
| Unknown speaker (JSVPSUNK) |
[658] [...] . |
| (PS4RK) |
[659] [...] he [...] . |
| Unknown speaker (JSVPSUNK) |
[660] [...] . |
| Unknown speaker (JSVPSUNK) |
[661] [...] I can't really [...] certain [...] |
| Unknown speaker (JSVPSUNK) |
[662] [...] . |
| (PS4RK) |
[663] That's [...] against [...] . |
| Unknown speaker (JSVPSUNK) |
[664] [...] . |
| (PS4RK) |
[665] O K [...] |
| Unknown speaker (JSVPSUNK) |
[666] [...] . |
| Unknown speaker (JSVPSUNK) |
[667] Erm [...] |
| Unknown speaker (JSVPSUNK) |
[668] [...] . |
| (PS4RK) |
[669] You haven't got any [...] smaller . |
| Unknown speaker (JSVPSUNK) | [...] |
| (PS4RK) |
[670] [...] . |
| Unknown speaker (JSVPSUNK) |
[671] [...] . |
| (PS4RK) |
[672] [...] that's all [...] . |
| Unknown speaker (JSVPSUNK) | [...] |
| Unknown speaker (JSVPSUNK) |
[673] About quarter to twelve |
| Unknown speaker (JSVPSUNK) |
[674] [...] . |
| (PS4RK) |
[675] [...] . |
| Unknown speaker (JSVPSUNK) |
[676] [...] . |
| Unknown speaker (JSVPSUNK) |
[677] [...] then |
| Unknown speaker (JSVPSUNK) |
[678] [...] . |
| (PS4RK) |
[679] See how you're fixed [...] I'll be there anyway, |
| Unknown speaker (JSVPSUNK) |
[680] [...] . |
| Unknown speaker (JSVPSUNK) |
[681] Yeah . |
| Unknown speaker (JSVPSUNK) |
[682] [...] . |
| (PS4RK) |
[683] don't worry . |
| Unknown speaker (JSVPSUNK) |
[684] [...] . |
| Unknown speaker (JSVPSUNK) |
[685] [...] Sir |
| Unknown speaker (JSVPSUNK) |
[686] [...] . |